Style Sense: The Art of Dressing Up (or Down) with Intention

Katie, my ever-gracious mannequin muse, returns this week in a look that celebrates the quiet power of thoughtful styling. Her outfit begins with a foundation of simplicity: a cream-colored pencil skirt and beige kitten-heeled sandals. But it’s the blouse that sings—a body-skimming silhouette with a scooped neckline and fluttering sleeves that reveal the shoulders in a soft, sculptural cutout. The hem curves gently in front and back, echoing the blouse’s floral print: bold orange-red peonies, golden accents, and hints of purple hibiscus. It’s a garden in motion.This ensemble is a lesson in how accessories can shift the mood of a look without compromising its essence. Each piece was chosen not for trend, but for resonance—with color, with memory, with personal style.

🌸 For a touch of legacy
My mother’s vintage cuff bracelet from the 1980s adds a layer of sentiment and symmetry. Soft white with gerbera daisies in hues that echo the blouse, it’s a perfect match made across decades. This piece reminds me that style can be inherited, cherished, and reimagined.

🌞 For everyday ease

A simple gold bangle is all that’s needed. On hot days, it gleams quietly against the skin, letting the blouse take center stage. It’s real gold, and its understated elegance reminds me that authenticity—like comfort—is always in style.

✨ For a polished finish

Pair the gold bangle with a necklace of cream-colored teardrop beads, graduated in size and set in faux gold. It adds dimension and draws the eye upward, balancing the blouse’s neckline and floral drama. The necklace is costume jewelry, but its impact is real. None of these pieces were purchased together. Each came into my life at a different time, from different places. Yet they harmonize beautifully—proof that when you stay true to your style and color preferences, your closet becomes a palette of possibility.

Fit matters, too. Katie’s outfit hugs and flows in all the right places, allowing movement and grace. Good fit is the quiet partner of good style—it supports, never distracts.

So yes, you can shop your closet. You can honor your past while dressing for your present. And you can create beauty from what you already own, simply by choosing with care.

Disclosure and Credits: This posting was researched and drafted by me. It was rewritten and condensed by Copilot for easier readability. All photos taken by me using the camera in my LG Android phone. Photos edited in the phone and in MS Paint.–EmilyAnn Frances May

Style Sense: Your Chic Superpower

Meet Katie—my ever-patient mannequin and today’s muse. I’ve styled in a look for her that’s quietly elegant, budget-friendly, and built entirely from my own closet. No splurges, no fast fashion—just timeless pieces collected over time, chosen with care and worn with confidence.

Katie wears:

A cream pencil skirt in a classic cut—versatile, flattering, and ready to star in future posts.
A linen-blend blouse with cream, gold, and tan stripes that echo her neutral palette.
Beige sandals and a gold fabric hairband for understated polish.
Four beaded bracelets in soft cantaloupe, white, beige, tan, and gold—just enough sparkle to say “I’m here.”

The magic? These pieces weren’t bought as a set. They came from different seasons, different shops, and different moods. But they work—because I stayed true to my style sense: flattering lines, neutral shades, and colors that make me feel like me.

This is your reminder:
–You don’t need a new wardrobe. You need your style sense.
–Shop your closet. Trust your eye. Build slowly. Choose what flatters and feels good. Chic isn’t about cost—it’s about coherence, confidence, and care.

You’re already stylish. Let’s keep building on that.

Style Sense: Summer Chic in Antique Cream and Pink Roses

Introduction

The styling exercise this week builds on the outfit featured in last week’s posting, Summer Chic: Vanilla Creme. The top is made from fabric featuring a pattern of roses against a black background. When the top of an outfit is a darker color than the bottom, consideration should be given about keeping all elements of the outfit in balance. I will share with you the decisions I made to keep the top as the focal point of this outfit.

Summer Chic: Antique Cream and Pink Roses

I wanted to draw the eye to the pretty floral print of the top and keep the focus there. The top has a necklace attached. It adds additional visual interest and focus. To draw the eye to the top it was important to use the tan colored sandals with the vanilla colored skirt. If black sandals were used to accessorize this outfit the eye would then move between the top and the sandals because of the strong difference to the lighter colors in the outfit.

I wanted the contrast between the top and the skirt to be effortless. The print fabric features roses in shades of antique cream and soft pink-red. The antique cream roses harmonize with the color of the skirt. Although this outfit looks like a set, it is not. The top was bought over 10 years ago! Since the top and skirt are basics and the colors classics the outfit works well for summer in any year. This is why I always encourage others to stay true to their style preferences and shop with timeless elegance and quality in mind.

Summary

To achieve balance between a dark colored top and a light colored bottom for an outfit:

–Keep the shoes and bottom garment the same or similar neutral hue.

–Select a color for the top that works in harmony with the netural hue. Make sure the color is not too strong. Otherwise the outfit will lack an element of balance.

–When the top is made of printed fabric find one color in the print that has is close to the neutral shade of the bottom.

Summary

To achieve balance between a dark colored top and a light colored bottom for an outfit:

–Keep the shoes and bottom garment the same or similar neutral hue.

–Select a color for the top that works in harmony with the netural hue. Make sure the color is not too strong. Otherwise the outfit will lack an element of balance.

–When the top is made of printed fabric find one color in the print that has is close to the neutral shade of the bottom.

Style Sense: Vanilla Crème, A Styling Exercise in Summer Elegance

Introduction

You don’t need a closet full of coordinated outfits to look chic in summer. With just a few basic skirts and tops, you can create stylish, breathable looks that feel effortless. The key is simplicity—soft colors and gentle prints help you project calm and ease, even in heat and humidity.

This is the first post in my Style Sense series. Each look is built from two slim skirts and a mix of solid and printed tops. None of the pieces were bought as a set—they were collected over time. When you stay true to your style and color preferences, your wardrobe naturally works together. You can always shop your closet to create something fresh.

Summer Chic: Vanilla Crème

A vanilla-colored pencil skirt is a summer essential. It pairs beautifully with halter tops, tanks, and breezy overblouses. Its soft neutrality complements both prints and solids, making it a versatile base for countless outfits.

In this look, the top is the focal point. To keep the eye drawn upward, I added a simple gold bangle and chose beige sandals that contrast subtly with the skirt. The soft floral tones—roses and leaves—add a feminine touch without overwhelming the palette.

Necklaces can feel heavy or sticky in humid weather. This top features a clever solution: the necklace is detachable and secured with clear plastic loops sewn beneath each shoulder. Each side of the necklace has a clasp that hooks into the loops. It’s a thoughtful detail that can be adapted to your own summer sewing projects.

Style Notes

– Choose a mid-calf or ballerina-length pencil skirt in a neutral shade like vanilla
– Look for a stretch skirt with no zippers or wide waistbands—comfort matters in the heat
– If the skirt is sheer, wear a lightweight slip in white or off-white
– Select a top in a color or print that complements the skirt
– Sandals should be close to the skirt’s shade, or slightly lighter/darker
– Let the top be the focal point
– Keep jewelry minimal—bangles or earrings work well without adding bulk

Spring Vacation 2022: Shopping and Styling Fun

Introduction

I’m on vacation from work this week. I decided to stay home and immerse myself in all my beloved hobbies and activities. I have not gone clothes shopping at a bricks-and-mortar location since before Lockdown of Spring 2020. I decided it is about time that changed.

There is a lovely boutique on Wood Avenue in Linden, New jersey called New Image. All during Lockdown 2020 I would go for walks and look at the window arrangements of clothes and accessories. Everything is so pleasing and in good taste. Things worked out this week and the shop was open when I went out. I usually get off work after New Image closes for the day, so it took some time for me to get there.

Shopping Experience

The store is well laid out with accessories and shoes featured near the outfits they would complement. There is lots of room to move around and many mirrors. The overall feeling is boutique like yet personal. There is no crowding in the store.

Merchandise cannot be returned so you have to make sure you try your selections on before buying. I found two tops on sale that came to a total of $25. They are perfect for dressing up the denim skirt I draped and sewed during Lockdown of 2020.

New Image Boutique is located at 116 N. Wood Avenue, Linden, New Jersey 07036. Telephone 973-803-6242.

My New Pullover Tops from New Image

This stiped top is from Orange Kiss. It is stretchy and comfortable. It is a size M and fits me just right with a little extra room to move in. I usually wear a Medium in stretch tops.

The polka dot top is from dianabelleNY and is labelled a size S. It fits me very well without being tight around the body or binding at the neck.

These are perfect for dressing up my denim skirt.

Accessories, Shoes and Stockings/Pantyhose

There are times I do not find my bare legs attractive with an outfit. The matter of choosing to wear stockings or pantyhose depends on personal preferences and the climate. During the summer I do not wear them but at other times of the year I think they look very sexy. They also hide bruises and imperfections. Dark stockings also add a youthful look.

The shoes I paired with these two looks are: 1. a pair of fabric square toed ballet flats from Bob’s Skeecher’s and 2. a pair of black pumps by Jaklyn Smith.

My late Mom left me her costume jewelry and collectibles which I treasure. The three gold tone charm bracelets were sold by Avon during the 1980s or early 1990s. I paired the hearts charm bracelet with the we’re in the money charm bracelet since I liked the idea of mixing up love (hearts) with symbols of wealth like diamond rings, yachts and gold bars.

My Finished Looks

I am very happy with the resulting looks and hope this gives you some ideas for styling your own denim skirts.

Denim skirt with grey toned pantyhose, black ballet flats, seashell gold tone charm bracelet and striped pullover by Orange Kiss.

Denim skirt with black toned pantyhose, polkadot pullover by dianabelleNY, gold toned charm bracelets, and pumps by Jaklyn Smith.

Pat Perkins Everyday Dress, circa 1950s – Analysis

Introduction

Further consideration of my plans for my next project is needed. The sketch of the chambray shirtwaist dress expresses my idea. However, the details I had envisioned must be changed.

I had planned on having in-seam buttonholes. I have been wanting to try this kind of buttonhole for a long time. I want to see how it will work on light to medium weight fabrics. As I thought about my shirtwaist dress I can see that having a seam along center front will cut into the middle gore of the skirt front. This will add extra weight and interfere with the flare. I plan a six gore skirt for the dress.

Possible solutions for new design details

I decided to analyze the construction details of a Pat Perkins everyday dress I bought on Etsy. Pat Perkins was the name of a dress manufacturer in the 1950s. They provided some of the dresses worn by actress Audrey Meadows in a popular sitcom, “The Honeymooners”.

I found the solution to keeping the flares of the skirt undisturbed. I will have to install a lapped zipper into the side seam. I will use the same treatment as used in the Pat Perkins dress. This means I can use in-seam buttonholes for the dress. However, the buttons will only be used on the bodice. Having a size zipper will provide the means for ease in putting the dress on or off.

Pat Perkins Everyday Dress circa 1950s

The dress has a fitted bodice with two vertical tucks on each side at the front. The short, unfitted sleeves have a self cuff that turns up from the inside. The collar is similar to a blouse collar and has very little stand. The back bodice has two very small tucks on each side.

The skirt i seven gores: 4 in front and 3 in back. There is a slight flare in each panel. The panel at center front has a seam. At the back there is no seam in the center skirt panel.

To make the dress easy to put on and off, there is about 3″ of style ease at the waist. The fit near the chest and bust has a little less style ease. This will help me adjust my pattern after using the sloper to trace the basic pattern.

The zipper is machine stitched into the left side seam. There is an underlap of fabric that provides body for the zipper and protects the wearer from feeling the zipper teeth. I plan to do the zipper application by hand and use a lightweight nylon zipper. The one in the original dress is metal.

The dress closes with self fabric button loops at center front. An underlap on the left side of the front bodice provides support.

The belt holes are not reinforced with any stitching. No eyelets were used. The buckle is covered with the fashion fabric. Narrow loops at the side seams are the only support to hold the belt in place. The backing has the stamp “Belt King”. I plan to use a belt kit and eyelets. At the side seams I usually use thread loops.

To lend a touch of support to the back of the dress a long facing is used as part of the collar treatment. I do not plan to use this neckline finishing since my dress will have a yoke.

The seams are not finished. No pinking, no edge stitching. The waistline seam is pressed down rather than up. The hem was turned twice and looks to be hand finished.

Spring!: My recreation of a Vintage Blouse

Introduction

I purchased an early 1960s blouse by the Tropicana company during the furlough from my job due to COVID-19 this past Spring. The blouse provided a fun challenge to me during those days at home. I decided to renew my skills in draping and recreate as much as possible the blouse. As happens, the blouse was not enough. I decided to make a denim skirt to go with the Tropicana blouse and my own version of it.

My recreation was draped on a Standard Misses size 8 form. The resulting pattern was then altered to address my own fitting needs.

The original Tropicana blouse has slits that open from below the waistline.. The skirt and blouse are worn over a white full-slip. The slip provides an extra layer under the lightweight fabric of the blouse. Without a slip or cami, one’s bra will be visible.

The original skirt was altered from a Misses 8 to fit my skirt size which is between a Misses 8 and Misses 10. I have pinned it to better fit the form.

I do not pose for photos in my finished garments. The reason is to keep attention on how I created the look. I want any reader to review my content and consider if these same style elements can be applied to creating a similar style expression for themself.

Comparison: Vintage Original and My Reproduction

An unusual detail of the original blouse are the buttonholes at the back. The first buttonhole is horizontal, the rest are vertical. I duplicated this in my reproduction. The reason the first buttonhole is horizontal may be to ensure this stress point remains closed. The neckline of the original is quite close to the neck. I scooped my version a little more to make the blouse more comfortable. Perhaps the vintage blouse was meant to be worn with a short string of pearls or a necklace on a short chain. I opted for comfort.

Finishing Details

A narrow merrow-type of stitching finished the edges of the hem, seams and facing. I got fancy with my version of the blouse. I used a pink flexi-lace to finish the hems and facing of the blouse. Seams were straight stitched, then zig-zagged together and pressed towards the back.

Little Details

The original and my reproduction have a vertical tuck that ends 1″ below the apex of the bust and about 2″ up from the hem. At the 2″ mark the tuck ends and the slit begins. A bias cut strip of fabric is sewn, turned right side out and hand sewn above the opening of the slit. It is them tied into a bow.

A side bust dart, about 2″ down from the armhole, provides slight shaping in the original. My reproduction goes straight down from that point.

Skirt Details

The skirt is a medium weight denim by Kauffman. I made a kickpleat for the back and draped for a relaxed fit. The denim shreds so seams were finished by straight stitching 1/4 ” in from the edge and then pinking. The hem and edges of the kickpleat were finished with navy blue flexi-lace hem tape. The kickpleat is held in place by small inverted “v” shaped stitching at the beginning of the pleat.

Jewelry and Shoes

Spring into Summer gets humid here in the Tri-State area (NY-NJ-CT) so keeping things simple with jewelry and accessories is important. I chose to work with gold jewelry since there are golden circles that are part of the pattern on the blouse fabric. The tiny heart charm has a diamond chip at the center of an 8 pointed star. The pattern of the blouse does not necessitate a necklace but I’d wear one anyway. The golden bangle was my Moms and my Grandmother wore hoop earrings similar to the ones I chose to complete the look.

Beige sling back shoes help the leg look longer since the eye is drawn upward. The bonus is that these shoes are also one of my choices for the denim chambray dress I intend to make as my next project after completing the basic fitting toile in progress now.

The Little Black Dress

The Little Black Dress is a must when you need a reliable classic to use for many occasions. I made mine using a fitted bodice with short dolman sleeves. Fit was achieved through vertical darts under the bust and on each side of the back. 1/4″ dolman sleeve shoulder pads were trimmed around the edges to accomodate the neckline finish. Shoulder pads were then covered in black lining fabric.

The rayon fabric was lightweight. To provide body and make it opaque, I underlined the complete garment.

The sheath skirt is shaped with just one dart on each side of the front and each side of the back. I kept the fit easy so that it is not too tight. This is important since I wear the dress for family events.

To keep the look understated I often accessorize with black, low heeled pumps and a clutch purse with faux marcasite clasp. A heart shaped red crystal surrounded by marcasite necklace completes the look.

To keep the focus on the accessories I had a fabric covered belt made by Bee Lignes. Please visit their site for your customized belt and covered button needs. The workmanship is top quality. Since the belt is handmade to your specifications you may have to wait a few weeks for delivery.

Office Suite

A perfect outfit for work or a meeting with a client. The pebble crepe blouse has a pussycat bow made from a bias strip of fabric which finishes the neckline.

The pencil skirt achieves a good fit through two darts on each side of the front and back. A kick pleat allows greater walking movement without exposing the legs. The zipper is hidden inside of the back seam.

Since the bow is the focal point at center front the best accessories are either earrings or a headband or pretty comb. I chose these stud earrings with amber colored crystals that complement the cream colored crepe of the blouse.

Welcome to Pour Moi!

Pour Moi means for me in French. I chose this name for my new blog because it focuses on the evolution of my personal style…what is flattering, pleasing and best for me. I hope you will join me in this journey and learn some new things to help the development of your own dressmaking skills and personal style.

My personal choice of style is understated and simple. I want to make a positive impression but not overwhelm others. Here is an example of one of my favorite styles made in 2014. It consists of a gathered skirt, sleeveless bodice with double French darts and a fabric covered belt. The bodice was draped and the skirt drafted. A string of pink pearls completes the outfit. It looks as good in 2020 as it did in 2014.